Jan van Eyck (sounds like: Yahn vahn Ike) was born in the Netherlands. He was a Renaissance painter but lived earlier than the Italian painters we have already looked at. No one is sure exactly when he was born but it was probably in the late 1380s or early 1390s.
Van Eyck’s older brother, Hubert van Eyck, was also a painter. He probably taught his little brother how to draw and paint. The brothers were both court painters and are believed to have worked together on some paintings.
In 1421, Jan van Eyck became a master painter and went to work for John of Bavaria. At the time he was the Count of Holland. When John of Bavaria died, van Eyck became court painter for the Duke. He was a loved and respected painter even during his lifetime.
The Duke treated van Eyck well and paid him a lot. He feared that van Eyck would seek work elsewhere and the Duke would never find a painter as talented. Most painters of the time worked for anyone who would hire them and had to worry about how they would be able to pay for things. Until van Eyck died, he worked for the Duke. He never had to worry about money.
Van Eyck’s older brother, Hubert van Eyck, was also a painter. He probably taught his little brother how to draw and paint. The brothers were both court painters and are believed to have worked together on some paintings.
In 1421, Jan van Eyck became a master painter and went to work for John of Bavaria. At the time he was the Count of Holland. When John of Bavaria died, van Eyck became court painter for the Duke. He was a loved and respected painter even during his lifetime.
The Duke treated van Eyck well and paid him a lot. He feared that van Eyck would seek work elsewhere and the Duke would never find a painter as talented. Most painters of the time worked for anyone who would hire them and had to worry about how they would be able to pay for things. Until van Eyck died, he worked for the Duke. He never had to worry about money.
Van Eyck painted many portraits, including the Arnolfini Portrait, shown above. This painting is very famous. You may have seen it before. It is the oldest oil painting on wood panel that was admired and became well known. It is also extremely detailed. Look at the close up of the mirror (shown below). You can see the Arnolfinis reflected in the mirror and two other people standing in the doorway. It is believed that one of the people is van Eyck. Above the mirror it says “Johannes de eyck fuit hic 1434” which means “Johannes van Eyck was here 1434.” What a strange thing to write in the center of a painting! Especially by someone who usually signed only the frames of his paintings.
Van Eyck also painted religious scenes. Shown below is the Annunciation. I love that everyone he painted had skin like porcelain dolls.
Finally, look at Portrait of a Man. This is believed to be a self-portrait but there isn’t really any evidence that this man is van Eyck. One thing to notice, though, is that the head is a bit too large for the body. This is something van Eyck often did. You may have noticed it in the Annunciation, also. 
Notice how bright all the colors are, too. Van Eyck was a master with oil paints which are much brighter than the tempera paints used by many painters who came before him. He was one of the first to use oil paints to their full potential.
Van Eyck died in 1441. The Duke continued to support van Eyck’s wife after his death and, later, gave his daughter the money she needed to become a nun.Return to main page.


Titian and Giorgione were friends but also rivals. They often worked on the same projects and each learned from the other as they grew as painters. The painting shown above was created as a team Titian and Giorgione. It is Portrait of a Venetian Gentleman. Even art historians sometimes have difficulty telling which paintings were painted by which of these artists. Titian eventually developed his own style.
Titian painted many portraits and he created altar pieces for churches throughout Venice.
Much of Titian’s work has been lost or destroyed. There was a fire in the Doges Palace in 1577 which destroyed many pieces. Late in his life he began finishing copies of his paintings that his students began. Because so many copies were made during his life and after, it is hard to tell how many paintings he really worked on.
Titian died of the plague in 1576.
Raphael painted portraits of many famous and wealthy people. The one shown above is Portrait of Bindo Altoviti.
When Raphael was not painting portraits, he painted group scenes like the one shown above, School of Athens. He created many of these paintings for the Vatican in Rome. (This painting was completed on a wall in the Vatican City.) In group scenes, Raphael often used people he knew as models. Another example of a group scene is The Miraculous Draught of Fishes, shown below.
He died in 1520, leaving a large number of paintings, many of which were at the Vatican.