Friday, May 16, 2008

Tempera Paint

Tempera is a type of paint made using egg yolk. It is still used today by some artists but it was very popular in ancient Egypt as well as during the Italian Renaissance. To make the paint, an artist ground minerals into powder. He separated the yolk (the yellow part of the egg) from the white. Then the artist mixed the yolk with the colored powder until he like the color and thickness of his paint.

Egg yolk dries quickly and forms a hard coat. Once dry, yolk is difficult to remove. (Try scrubbing dried egg out of a bowl…) Because of this, paintings made with tempera last a long time. The Fayum Portraits of ancient Egypt have lasted more than 2000 years!

You can make your own tempera! Be sure to have an adult help you with this one. Do not make the tempera until you are ready to paint with it.

Supplies Needed:

Chalk
Pencil sharpener
Egg
Water
Empty egg carton
Bowl
Fork

Sharpen a piece of chalk with your pencil sharpener. Empty the shavings into one of the egg carton cups. Repeat for each color you wish to create.

Separate the egg yolk from the egg white. You will only need the yolk. Mix the egg yolk with about three teaspoons of water.

Stir a small amount of the yolk mixture into each cup. Your paint should be a little runny. Be sure to stir until the paint is smooth.

You are now ready to create your masterpiece! Be aware that tempera paint dries fast. If the paint sits in the cups for too long, you’ll have to add a little more water to prevent it from thickening.


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Thursday, May 15, 2008

Create Your Own Gorky Painting

Yesterday you learned about Arshile Gorky and you looked at some of his paintings. Today, create your own loopy, colorful painting (or drawing).

Supplies Needed:

Heavy sketch paper
Pencil
Watercolors
Paint brush

This is a simple project but the results are beautiful. Sketch some free-form loops across your paper. You can draw an object or a person, or just let your pencil swirl across the page.
When you’re pleased with your creation, fill in the loops with color. I outlined some parts of my painting in black. You can trace over your lines if you choose, or just let the colors show where the lines were.
Remember to sign your name on your masterpiece!

Younger kids can enjoy this project, too. Paints can be tough to control and they can be messy. Younger kids should use crayons instead. And feel free to use plain copy paper with crayons. The heavier paper is only needed to soak up the moisture of paint.

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Wednesday, May 14, 2008

Arshile Gorky

When I was at the Museum of Modern Art (MoMA) in New York this weekend, I had the great pleasure of seeing several paintings by Arshile Gorky. It’s possible that I’ve seen paintings by him before but this time they really spoke to me. I love the way the shapes flow into each other and I love the colors. I love all the strange pictures that appear in Gorky’s paintings if you free your mind and just look. I knew I had to share this great artist with you.

Gorky was born in Armenia around 1904. In 1915 Gorky and his family fled Armenia but it was a difficult journey and his mother died. Gorky moved to the United States in 1920. For most of his life he missed his home country. He never stopped thinking about his mother.

Gorky learned art by studying the works of other artists. He studied the Impressionists, then the Cubists, and finally the Surrealists as he developed his own style. He studied art formally at the New School of Design in Boston, Massachusetts.

Gorky began by painting somewhat realistic scenes, like the Impressionists. One example is The Artist and His Mother.

Paintings like Organization show how Cubism influenced Gorky’s style.

He is most important, however, for his influence on later artists. By the end of his life, his paintings consisted of rounded, free-form shapes. Garden in Sochi is one example, Golden Brown is another. The style of these later paintings became known as Abstract Expressionism. Gorky’s personal style influenced many other Abstract Expressionists.

Gorky died in 1948.

Check back tomorrow to create your own Gorky painting.

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Tuesday, May 13, 2008

Japonism

I have mentioned before that many artists from the late-1800s were inspired by Japanese art. The influence of Japanese art on European and American art is called Japonism. I thought I’d tell you a bit more about it toady.

For a long time, Japan didn’t trade with Europe or America. They didn’t buy or sell food, fabrics, or anything else, including works of art. In the mid-1800s things changed in Japan. A new government came into power which allowed western ships into the country. And in 1868 Japanese ships began to take goods to Europe and America.

During this time, artists especially in France wanted to break away from traditional styles of art. When they saw Japanese art, many artists were struck by the bright colors, off-centered placement of subjects, and curved lines. Japanese artists cared about creating beautiful art that brought out emotion in the viewer. They did not care as much about creating realistic scenes.

Notice the curving lines of Gustav Klimt's Tree of Life.

Also notice the curved lines and the off-centered subject of Aubrey Beardsley's
Sometimes artists even included Japanese artworks into their own paintings. One example, shown below, is Vincent van Gogh’s Portrait of Pere Tanguy.

Other artists who where inspired by Japanese art include Mary Cassatt, Claude Monet, and Edgar Degas.

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Monday, May 12, 2008

New York

I had a great time in New York City this weekend. The trip was tiring so I went straight to sleep when I got home last night. I had planned to post photos of some of the art I saw at the Museum of Modern Art (MoMA). I bet you'll be able to name that artist on your own...

In order: Paul Klee, Jackson Pollock, Alexander Calder, Pablo Picasso, Vincent van Gogh

That final photo is a close-up of the corner of van Gogh's Starry Night. I noticed something about this painting and a few other van Gogh paintings that I had never noticed before. Look at the edge where the canvas meets the frame. The paint doesn't cover every inch of the canvas. And there are blank patches throughout the paintings. Weird. I had always thought that van Gogh layered the paint but obviously he did not.

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